And I probably said it before, I'd love to have your graphics card, but even more so, your skill at composing a shot. (I am SO dissatisfied with my shots!)
Favorite parts include:
The fight scene. So often fight scenes are a dreary catalog of what blows were struck and landed. (When we go to the cinema, the fight scene is always where I leave for a popcorn refill.) You didn't do it that way at all, you went inside Ripp's head, both with your writing and your images. And his despair really, really got to me.
The shots pulling out from the window, framing Frances, then further and further away into the house... leading to the ones of Buck and Jill at the Grunt house. And Buck standing in the pool of light...
(I like your Buck, yes I do)
And the final scene with the omelets. That was much needed, to bring the three back together again and restore a sense of balance.
no subject
And I probably said it before, I'd love to have your graphics card, but even more so, your skill at composing a shot. (I am SO dissatisfied with my shots!)
Favorite parts include:
The fight scene. So often fight scenes are a dreary catalog of what blows were struck and landed. (When we go to the cinema, the fight scene is always where I leave for a popcorn refill.) You didn't do it that way at all, you went inside Ripp's head, both with your writing and your images. And his despair really, really got to me.
The shots pulling out from the window, framing Frances, then further and further away into the house... leading to the ones of Buck and Jill at the Grunt house. And Buck standing in the pool of light...
(I like your Buck, yes I do)
And the final scene with the omelets. That was much needed, to bring the three back together again and restore a sense of balance.
Beautifully done, all of it
:)